Assembly Concurrent Resolution No. 112 CHAPTER 37Relative to the Chiura Obata Great Nature Memorial Highway. [ Filed with Secretary of State September 14, 2020. ] LEGISLATIVE COUNSEL'S DIGESTACR 112, Bigelow. Chiura Obata Great Nature Memorial Highway.This measure would designate a specified portion of State Route 120 in the County of Mono as the Chiura Obata Great Nature Memorial Highway. The measure would request the Department of Transportation to determine the cost of appropriate signs showing this special designation and, upon receiving donations from nonstate sources covering that cost, to erect those signs.Digest Key Fiscal Committee: YES Bill TextWHEREAS, Chiura Obata was born on November 18, 1885, in Japan and raised in the city of Sendai; at seven years of age, he began his formal training in the art of sumi-e, Japanese ink and brush painting; at fourteen years of age, Obata began an apprenticeship with a master painter in Tokyo, and in 1901, he received a prestigious art award in Tokyo; and WHEREAS, In 1903, Obata boarded a steamship for the United States as a teenager with a desire to see the world and study art, eventually finding a home in San Francisco, California; he found the California landscape to be a true inspiration for his painting; and WHEREAS, Upon coming to the United States, Obata not only was the recipient of intense racial epithets; he was even hit and spat upon by people on the streets of San Francisco simply because of his ethnicity, but he also encountered the institutionalized racism that existed in many laws of the time that restricted the rights of Asian-born immigrants like himself, including prohibitions from owning land and becoming a United States citizen; and WHEREAS, Obata became an avid baseball player, playing many games at Golden Gate Park, and was one of the founders of the Fuji Club, the first Japanese American baseball team on the American mainland; and WHEREAS, In 1921, Obata cofounded the East West Art Society in San Francisco with other American, Russian, Chinese, and Japanese artists to promote a uniting of Asian and Western art traditions; and WHEREAS, In 1927, Obata made a six week camping trip to Yosemite and the Sierra Nevada Mountains that proved to be a defining moment in his professional life, about which he would later say, This experience was the greatest harvest for my whole life and future in painting; and WHEREAS, Obatas art is infused with his reverence for nature, which he viewed as a powerful spiritual force; he thought of nature as dai-shizen, or Great Nature, reflecting his belief that it is an essential source of inspiration and peace for all human beings; and WHEREAS, In 1932, Obata began his career as an influential educator, teaching in the art department at the University of California, Berkeley for nearly 20 years; and WHEREAS, After the attack on Pearl Harbor in December 1941, the Presidents Executive Order No. 9066 resulted in the forced removal of all Japanese Americans on the west coast of the United States; Obata lost his job at the university and his art supply store; and WHEREAS, In April 1942, Obata and his family were sent to the Tanforan Racetrack near San Francisco and eventually to the Topaz War Relocation Center in central Utah; firmly believing in the healing power of art, in less than a month he and his fellow artists were able to create an art school with over 600 students; and WHEREAS, While Obata was director of the Topaz Art School, he continued to paint images of life in the camp as well as the beauty he saw in the desert landscape; even in the face of such confinement, Obata proved to be a figure of peace and resilience; andWHEREAS, In 1943, Obata and his family were released from the relocation center in Topaz, Utah, and returned to California in 1945 at the end of World War II; after 1945, Obata continued to visit Yosemite and the eastern Sierra Nevada Mountains to paint his landscapes; and WHEREAS, In 1954, two years after the United States government allowed Japanese immigrants to become citizens of the United States, Obata and his family became naturalized American citizens; and WHEREAS, In that same year, Chiura and his wife, Haruko Obata, led the first of the "Obata Tours" to Japan, introducing many Americans to Japanese arts, architecture, and culture; the tours fostered understanding through the arts between the two countries that had previously been at war; andWHEREAS, From 1955 to 1970, until he was 85 years of age, Obata traveled throughout California, giving lectures and demonstrations on Japanese brush painting and in 1965, in Japan, Obata received the Emperors Award, the Order of the Sacred Treasure, 5th Class, in recognition of his efforts to spread cultural understanding; andWHEREAS, Obatas life and work have been celebrated and exhibited throughout the world, and his legacy in connection to our National Parks remains an inspiration for all Californians; now, therefore, be itResolved by the Assembly of the State of California, the Senate thereof concurring, That the Legislature hereby designates the portion of State Route 120 from post mile R0.898 to post mile R4.766 in the County of Mono as the Chiura Obata Great Nature Memorial Highway; and be it furtherResolved, That the Department of Transportation is requested to determine the cost of appropriate signs consistent with the signing requirements for the state highway system showing this special designation and, upon receiving donations from nonstate sources sufficient to cover the cost, to erect those signs; and be it furtherResolved, That the Chief Clerk of the Assembly transmit copies of this resolution to the Director of Transportation and to the author for appropriate distribution.
Assembly Concurrent Resolution No. 112 CHAPTER 37Relative to the Chiura Obata Great Nature Memorial Highway. [ Filed with Secretary of State September 14, 2020. ] LEGISLATIVE COUNSEL'S DIGESTACR 112, Bigelow. Chiura Obata Great Nature Memorial Highway.This measure would designate a specified portion of State Route 120 in the County of Mono as the Chiura Obata Great Nature Memorial Highway. The measure would request the Department of Transportation to determine the cost of appropriate signs showing this special designation and, upon receiving donations from nonstate sources covering that cost, to erect those signs.Digest Key Fiscal Committee: YES
Assembly Concurrent Resolution No. 112 CHAPTER 37
Assembly Concurrent Resolution No. 112
CHAPTER 37
Relative to the Chiura Obata Great Nature Memorial Highway.
[ Filed with Secretary of State September 14, 2020. ]
LEGISLATIVE COUNSEL'S DIGEST
## LEGISLATIVE COUNSEL'S DIGEST
ACR 112, Bigelow. Chiura Obata Great Nature Memorial Highway.
This measure would designate a specified portion of State Route 120 in the County of Mono as the Chiura Obata Great Nature Memorial Highway. The measure would request the Department of Transportation to determine the cost of appropriate signs showing this special designation and, upon receiving donations from nonstate sources covering that cost, to erect those signs.
This measure would designate a specified portion of State Route 120 in the County of Mono as the Chiura Obata Great Nature Memorial Highway. The measure would request the Department of Transportation to determine the cost of appropriate signs showing this special designation and, upon receiving donations from nonstate sources covering that cost, to erect those signs.
## Digest Key
## Bill Text
WHEREAS, Chiura Obata was born on November 18, 1885, in Japan and raised in the city of Sendai; at seven years of age, he began his formal training in the art of sumi-e, Japanese ink and brush painting; at fourteen years of age, Obata began an apprenticeship with a master painter in Tokyo, and in 1901, he received a prestigious art award in Tokyo; and
WHEREAS, In 1903, Obata boarded a steamship for the United States as a teenager with a desire to see the world and study art, eventually finding a home in San Francisco, California; he found the California landscape to be a true inspiration for his painting; and
WHEREAS, Upon coming to the United States, Obata not only was the recipient of intense racial epithets; he was even hit and spat upon by people on the streets of San Francisco simply because of his ethnicity, but he also encountered the institutionalized racism that existed in many laws of the time that restricted the rights of Asian-born immigrants like himself, including prohibitions from owning land and becoming a United States citizen; and
WHEREAS, Obata became an avid baseball player, playing many games at Golden Gate Park, and was one of the founders of the Fuji Club, the first Japanese American baseball team on the American mainland; and
WHEREAS, In 1921, Obata cofounded the East West Art Society in San Francisco with other American, Russian, Chinese, and Japanese artists to promote a uniting of Asian and Western art traditions; and
WHEREAS, In 1927, Obata made a six week camping trip to Yosemite and the Sierra Nevada Mountains that proved to be a defining moment in his professional life, about which he would later say, This experience was the greatest harvest for my whole life and future in painting; and
WHEREAS, Obatas art is infused with his reverence for nature, which he viewed as a powerful spiritual force; he thought of nature as dai-shizen, or Great Nature, reflecting his belief that it is an essential source of inspiration and peace for all human beings; and
WHEREAS, In 1932, Obata began his career as an influential educator, teaching in the art department at the University of California, Berkeley for nearly 20 years; and
WHEREAS, After the attack on Pearl Harbor in December 1941, the Presidents Executive Order No. 9066 resulted in the forced removal of all Japanese Americans on the west coast of the United States; Obata lost his job at the university and his art supply store; and
WHEREAS, In April 1942, Obata and his family were sent to the Tanforan Racetrack near San Francisco and eventually to the Topaz War Relocation Center in central Utah; firmly believing in the healing power of art, in less than a month he and his fellow artists were able to create an art school with over 600 students; and
WHEREAS, While Obata was director of the Topaz Art School, he continued to paint images of life in the camp as well as the beauty he saw in the desert landscape; even in the face of such confinement, Obata proved to be a figure of peace and resilience; and
WHEREAS, In 1943, Obata and his family were released from the relocation center in Topaz, Utah, and returned to California in 1945 at the end of World War II; after 1945, Obata continued to visit Yosemite and the eastern Sierra Nevada Mountains to paint his landscapes; and
WHEREAS, In 1954, two years after the United States government allowed Japanese immigrants to become citizens of the United States, Obata and his family became naturalized American citizens; and
WHEREAS, In that same year, Chiura and his wife, Haruko Obata, led the first of the "Obata Tours" to Japan, introducing many Americans to Japanese arts, architecture, and culture; the tours fostered understanding through the arts between the two countries that had previously been at war; and
WHEREAS, From 1955 to 1970, until he was 85 years of age, Obata traveled throughout California, giving lectures and demonstrations on Japanese brush painting and in 1965, in Japan, Obata received the Emperors Award, the Order of the Sacred Treasure, 5th Class, in recognition of his efforts to spread cultural understanding; and
WHEREAS, Obatas life and work have been celebrated and exhibited throughout the world, and his legacy in connection to our National Parks remains an inspiration for all Californians; now, therefore, be it
Resolved by the Assembly of the State of California, the Senate thereof concurring, That the Legislature hereby designates the portion of State Route 120 from post mile R0.898 to post mile R4.766 in the County of Mono as the Chiura Obata Great Nature Memorial Highway; and be it further
Resolved, That the Department of Transportation is requested to determine the cost of appropriate signs consistent with the signing requirements for the state highway system showing this special designation and, upon receiving donations from nonstate sources sufficient to cover the cost, to erect those signs; and be it further
Resolved, That the Chief Clerk of the Assembly transmit copies of this resolution to the Director of Transportation and to the author for appropriate distribution.