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2 | 2 | | 1 |
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3 | 3 | | Statement of Introduction |
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4 | 4 | | DC Legendary Musicians Way Designation Act of 2024 |
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5 | 5 | | November 14, 2024 |
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6 | 6 | | |
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7 | 7 | | Today I am introducing the “DC Legendary Musicians Way Designation Act of |
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8 | 8 | | 2024”. This legislation designates the alley within Square 441, bounded by 7th Street, |
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9 | 9 | | N.W., T Street, N.W., Wiltberger Street, N.W., and S Street, N.W., in Ward 1, as DC |
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10 | 10 | | Legendary Musicians Way, to recognize the contributions of DC Legendary Musicians Inc., |
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11 | 11 | | an organization committed to the advancement of music and empowerment of musicians |
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12 | 12 | | in the District. |
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13 | 13 | | DC Legendary Musicians Inc. (DCLM) was founded by Rev. Dr. Sandra Butler- |
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14 | 14 | | Truesdale as a 501(c)(3) non-profit organization in 2012 with the purpose of preserving, |
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15 | 15 | | protecting, and promoting the artistic legacy, contributions, and well-being of D.C.’s |
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16 | 16 | | professional musicians. The organization’s goal is not only to recognize the |
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17 | 17 | | accomplishments of local musicians but also to rebuild and revitalize the unique “D.C. |
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18 | 18 | | Sound.” In doing so, DCLM works to bridge generational divides and create new |
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19 | 19 | | opportunities for musicians across the region. |
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20 | 20 | | D.C. is a center of musical innovation, having shaped American popular music and |
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21 | 21 | | produced legendary figures such as John Philip Sousa, James Reese Europe, and Duke |
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22 | 22 | | Ellington. These icons, along with other significant artists like bluesman Bobby Parker, |
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23 | 23 | | singers Shirley Horn and Roberta Flack, jazz masters Buck Hill and Butch Warren, and 2 |
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24 | 24 | | Chuck Brown, the creator of Go-Go music, reflect the deep cultural impact D.C. has had on |
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25 | 25 | | the music world. Despite this, many of the city’s great musicians have not always received |
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26 | 26 | | the recognition they deserve, especially as the city has undergone significant changes. |
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27 | 27 | | Generational gaps have further complicated efforts to unite the distinct D.C. sound of the |
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28 | 28 | | past with the evolving music scene of today. |
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29 | 29 | | DCLM has worked to revitalize and preserve the unique sound of D.C.’s vibrant |
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30 | 30 | | history by hosting events in partnership with local venues and organizations such as the |
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31 | 31 | | Kennedy Center, Howard Theatre, Ben’s Chili Bowl, 202 Creates, bringing together |
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32 | 32 | | musicians across genres and generations. These performances not only celebrate the past |
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33 | 33 | | but also create new opportunities for collaboration and innovation. Through these efforts, |
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34 | 34 | | DCLM has served over 1,000 musicians in the D.C. area. |
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35 | 35 | | At the heart of DCLM’s mission is the desire to advocate for musicians and provide |
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36 | 36 | | them with the resources they need to sustain their careers. Musicians face severe |
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37 | 37 | | challenges, not only in gaining recognition but in securing the support they need to |
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38 | 38 | | continue performing. Legal representation, access to benefits, health services, housing |
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39 | 39 | | support, and professional advocacy are often overlooked needs in the artistic community. |
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40 | 40 | | As such, DCLM is focused on ensuring that these essential services are available to D.C. |
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41 | 41 | | musicians so they can continue to create and share their music. |
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42 | 42 | | DCLM’s impact extends to the residents, culture, and soul of Washington, D.C. By |
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43 | 43 | | preserving and promoting the District’s rich musical history, the organization fosters a |
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44 | 44 | | strong sense of community pride and identity. Its events, performances, and outreach |
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45 | 45 | | efforts help bring people together, promoting social and economic engagement while also |
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46 | 46 | | inspiring future generations of artists. As DCLM documents and shares the |
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47 | 47 | | accomplishments of both past and present musicians, it ensures that the history of D.C.’s |
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48 | 48 | | music scene is never forgotten, and that the city’s legacy of innovation and creativity |
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49 | 49 | | continues to thrive. |
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51 | 51 | | |
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52 | 52 | | 1 |
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53 | 53 | | _____________________________ |
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54 | 54 | | Councilmember Brianne K. Nadeau |
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55 | 55 | | |
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56 | 56 | | |
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57 | 57 | | |
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58 | 58 | | |
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59 | 59 | | A BILL |
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60 | 60 | | |
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61 | 61 | | _________________________ |
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62 | 62 | | |
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63 | 63 | | IN THE COUNCIL OF THE DISTRICT OF COLUMBIA |
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64 | 64 | | |
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65 | 65 | | _________________________ |
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66 | 66 | | |
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67 | 67 | | |
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68 | 68 | | To designate the north-south public alley within Square 441, bounded by 7 |
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69 | 69 | | th |
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70 | 70 | | Street, N.W., T 1 |
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71 | 71 | | Street, N.W., Wiltberger Street, N.W., and S Street, N.W., in Ward 1, as DC Legendary 2 |
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72 | 72 | | Musicians Way. 3 |
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73 | 73 | | 4 |
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74 | 74 | | BE IT ENACTED BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this 5 |
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75 | 75 | | act may be cited as the “DC Legendary Musicians Way Designation Act of 2024”. 6 |
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76 | 76 | | Sec. 2. Pursuant to sections 401, 403, and 421 of the Street and Alley Closing and 7 |
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77 | 77 | | Acquisition Procedures Act of 1982, effective March 10, 1983 (D.C. Law 4-201; D.C. Official 8 |
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78 | 78 | | Code §§ 9-204.01, 9-204.03, and 9-204.21), the Council officially designates the north-south 9 |
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79 | 79 | | public alley within Square 441 bounded by 7th Street, N.W., T Street, N.W., Wiltberger Street, 10 |
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80 | 80 | | N.W.; and S Street, N.W., as “DC Legendary Musicians Way”. 11 |
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81 | 81 | | Sec. 3. Transmittal. 12 |
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82 | 82 | | The Council shall transmit a copy of this act, upon its effective date, to the Mayor, the 13 |
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83 | 83 | | District Department of Transportation, and the Office of the Surveyor. 14 |
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84 | 84 | | Sec. 4. Fiscal impact statement. 15 |
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85 | 85 | | The Council adopts the fiscal impact statement in the committee report as the fiscal 16 |
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86 | 86 | | impact statement required by section 4a of the General Legislative Procedures Act of 1975, 17 |
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87 | 87 | | |
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88 | 88 | | |
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89 | 89 | | 2 |
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90 | 90 | | approved October 16, 2006 (120 Stat. 2038; D.C. Official Code § 1-301.47a). 18 |
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91 | 91 | | Sec. 5. Effective date. 19 |
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92 | 92 | | This act shall take effect after approval by the Mayor (or in the event of veto by the 20 |
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93 | 93 | | Mayor, action by the Council to override the veto), a 30-day period of congressional review as 21 |
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94 | 94 | | provided in section 602(c)(1) of the District of Columbia Home Rule Act, approved December 22 |
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95 | 95 | | 24, 1973 (87 Stat. 813; D.C. Official Code § 1-206.02(c)(1)), and publication in the District of 23 |
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96 | 96 | | Columbia Register. 24 |
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