1 | 1 | | |
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2 | 2 | | <BillNo> <Sponsor> |
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3 | 3 | | |
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4 | 4 | | SENATE RESOLUTION 243 |
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5 | 5 | | By Akbari |
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6 | 6 | | |
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7 | 7 | | |
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8 | 8 | | SR0243 |
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9 | 9 | | 008086 |
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10 | 10 | | - 1 - |
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11 | 11 | | |
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12 | 12 | | A RESOLUTION to honor and commend Kenneth Whalum III of |
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13 | 13 | | Memphis. |
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14 | 14 | | |
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15 | 15 | | WHEREAS, Kenneth Whalum III is a singular creative voice in contemporary music, an |
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16 | 16 | | artist whose saxophone speaks as powerfully as his pen and whose vocal stylings redefine the |
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17 | 17 | | boundaries of jazz, alt-soul, and spiritual expression; and |
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18 | 18 | | WHEREAS, born and raised in the rich musical landscape of Memphis, Tennessee, |
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19 | 19 | | Kenneth is a product of deep-rooted artistry, spiritual tradition, and relentless innovation. As a |
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20 | 20 | | composer, arranger, bandleader, and tenor saxophonist, he is acclaimed for his ability to |
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21 | 21 | | synthesize gospel roots with jazz dexterity, R&B rhythms, and soulful introspection; and |
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22 | 22 | | WHEREAS, Kenneth's musical path was shaped early by the vibrant sounds of Memphis |
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23 | 23 | | and the influence of his family. His father, Reverend Kenneth T. Whalum Jr., is a respected |
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24 | 24 | | pastor and musician; his uncle, Kirk Whalum, is a Grammy-winning saxophonist whose work |
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25 | 25 | | has defined generations; and |
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26 | 26 | | WHEREAS, Kenneth initially gravitated toward drums but was persuaded by a middle |
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27 | 27 | | school band director to pick up the saxophone. That pivotal decision unlocked a calling; from |
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28 | 28 | | church performances at The New Olivet Baptist Church to gigs around town, Kenneth's musical |
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29 | 29 | | journey has always been grounded in purpose and community; and |
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30 | 30 | | WHEREAS, his artistry deepened through formal education—first at Morehouse College, |
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31 | 31 | | then at The New School for Jazz and Contemporary Music in New York, where he was |
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32 | 32 | | immersed in the epicenter of modern jazz. There, Kenneth developed a bold and emotional |
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33 | 33 | | sound, collaborating with peers like Robert Glasper, Bilal, and Chris "Daddy" Dave; and |
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34 | 34 | | |
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35 | 35 | | |
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36 | 36 | | - 2 - 008086 |
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37 | 37 | | |
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38 | 38 | | WHEREAS, his debut album, To Those Who Believe, captures the soul of that journey: a |
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39 | 39 | | deeply personal exploration of faith, struggle, joy, and growth, woven together with world-class |
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40 | 40 | | musicianship and lyrical sensitivity; and |
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41 | 41 | | WHEREAS, Kenneth's career as a session and touring artist skyrocketed with early |
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42 | 42 | | stints performing with Sean "Diddy" Combs and Jay-Z, the latter of whom featured Kenneth's |
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43 | 43 | | horn arrangements on the chart-topping "Roc Boys (And the Winner Is)"; from there, his |
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44 | 44 | | saxophone became a sought-after voice in the industry, appearing on projects with Maxwell, |
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45 | 45 | | Mary J. Blige, Beyoncé, Al Green, 50 Cent, and more. His work on BLACKSummers'night with |
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46 | 46 | | Maxwell earned Grammy nominations, cementing his place among music's most elite |
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47 | 47 | | collaborators; and |
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48 | 48 | | WHEREAS, but Kenneth's heart lies in his solo work. His haunting single "Say Sorry" |
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49 | 49 | | and soul-stirring track "One More Kiss" highlight his evolution as a vocalist and songwriter. With |
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50 | 50 | | an ear for atmospheric production, lyrical honesty, and spiritual resonance, Kenneth Whalum |
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51 | 51 | | doesn't just play music—he ministers through it; and |
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52 | 52 | | WHEREAS, now based in Brooklyn, New York, Kenneth continues to explore the |
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53 | 53 | | intersections of faith, identity, and artistry. His music offers solace, provokes thought, and |
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54 | 54 | | stands as a living tribute to Memphis soul, jazz intellect, and personal truth; now, therefore, |
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55 | 55 | | BE IT RESOLVED BY THE SENATE OF THE O NE HUNDRED FOURTEENTH |
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56 | 56 | | GENERAL ASSEMBLY OF THE STATE OF TENNESSEE, that we honor and commend |
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57 | 57 | | Kenneth Whalum III for his indelible contributions to music and extend to him our best wishes |
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58 | 58 | | for much continued success. |
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59 | 59 | | BE IT FURTHER RESOLVED, that an appropriate copy of this resolution be prepared |
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60 | 60 | | for presentation with this final clause omitted from such copy. |
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61 | 61 | | |
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