1 | 1 | | |
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2 | 2 | | <BillNo> <Sponsor> |
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3 | 3 | | |
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4 | 4 | | SENATE RESOLUTION 245 |
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5 | 5 | | By Akbari |
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6 | 6 | | |
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7 | 7 | | |
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8 | 8 | | SR0245 |
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9 | 9 | | 008088 |
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10 | 10 | | - 1 - |
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12 | 12 | | |
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13 | 13 | | A RESOLUTION to honor and commend Kortland Whalum of |
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14 | 14 | | Memphis. |
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15 | 15 | | |
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16 | 16 | | WHEREAS, Kortland Whalum is a powerful voice in American theater and soul music—a |
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17 | 17 | | dynamic vocalist, actor, and educator whose artistic journey reflects deep Memphis roots, family |
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18 | 18 | | legacy, and a lifelong commitment to storytelling through song. Known for his commanding |
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19 | 19 | | stage presence and emotionally resonant performances, Kortland has become a fixture in |
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20 | 20 | | Memphis's vibrant theatrical community while also emerging as a soul artist in his own right; and |
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21 | 21 | | WHEREAS, born into the legendary Whalum family, Kortland is the son of Rev. Kenneth |
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22 | 22 | | Whalum Jr., the current pastor of Olivet Fellowship, and nephew of Grammy-winning |
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23 | 23 | | saxophonist Kirk Whalum. Music was in the air from day one—his mother, Sheila, and |
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24 | 24 | | grandmother were singers; his brothers Kenneth and Kameron are both renowned musicians. |
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25 | 25 | | But rather than following the path of instrumental performance, Kortland found his voice— |
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26 | 26 | | literally—as a singer. Initially wanting to emulate his brother Kenneth on the saxophone, he |
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27 | 27 | | pivoted to vocal performance and discovered his calling; and |
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28 | 28 | | WHEREAS, his first performance at age six was in church—a setting that nurtured his |
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29 | 29 | | confidence and sense of purpose. Over time, that foundation of gospel music, spiritual |
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30 | 30 | | storytelling, and community shaped him into an emotionally intuitive performer. His trajectory |
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31 | 31 | | shifted when he attended Overton High School, where exposure to Broadway productions |
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32 | 32 | | during a trip to New York sparked a passion for theater. That passion followed him to |
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33 | 33 | | Morehouse College, where he studied voice and deepened his appreciation for acting and |
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34 | 34 | | performance; and |
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36 | 36 | | |
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37 | 37 | | - 2 - 008088 |
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38 | 38 | | |
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39 | 39 | | WHEREAS, Kortland's career blossomed in New York, but a role in Hattiloo Theatre's |
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40 | 40 | | The Wiz brought him back to Memphis—where he's remained ever since, becoming a beloved |
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41 | 41 | | figure in the city's performing arts scene. His standout performances in Cats, The Wiz, and |
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42 | 42 | | Raisin have garnered critical acclaim for their emotional depth and nuanced storytelling. Chris |
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43 | 43 | | Davis of the Memphis Flyer called his portrayal of Walter Lee Younger "as rich a performance |
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44 | 44 | | as I've seen in ages"; and |
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45 | 45 | | WHEREAS, beyond the stage, Kortland served for four years as a vocal instructor at the |
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46 | 46 | | Stax Music Academy, where he mentored students and led international performances. He |
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47 | 47 | | currently serves on the board of the Memphis Listening Lab, further cementing his role as a |
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48 | 48 | | community leader and cultural steward. In 2021, Kortland returned to his roots with A Love |
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49 | 49 | | Letter, a deeply personal neo-soul EP featuring musical contributions from his entire family, |
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50 | 50 | | including uncles and brothers. The title track—intimate, raw, and prayer-like—showcases |
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51 | 51 | | Kortland's ability to convey vulnerability with finesse; and |
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52 | 52 | | WHEREAS, for Kortland, music is both mirror and medicine. "It really has been my |
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53 | 53 | | therapy," he says. "I sing through happy times and through sad times. It's been like my twin |
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54 | 54 | | throughout my life." Now nearing forty, he embraces the freedom of his artistry, always seeking |
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55 | 55 | | the next opportunity to evolve, give back, and tell the stories that matter; now, therefore, |
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56 | 56 | | BE IT RESOLVED BY THE SENATE OF THE ONE HUNDRED FOURTEENTH |
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57 | 57 | | GENERAL ASSEMBLY OF THE STATE OF TENNESSEE, that we honor the service of |
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58 | 58 | | Kortland Whalum, reflecting on his contributions to music and theater and his enduring legacy of |
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59 | 59 | | excellence and service. |
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60 | 60 | | BE IT FURTHER RESOLVED, that an appropriate copy of this resolution be prepared |
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61 | 61 | | for presentation with this final clause omitted from such copy. |
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62 | 62 | | |
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