1 | 1 | | H.R. No. 966 |
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2 | 2 | | |
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3 | 3 | | |
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4 | 4 | | R E S O L U T I O N |
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5 | 5 | | WHEREAS, Devotees of fine dramatic writing across Texas and |
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6 | 6 | | around the nation and the world are mourning the loss of playwright |
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7 | 7 | | and screenwriter Horton Foote, who died on March 4, 2009, at the age |
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8 | 8 | | of 92; and |
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9 | 9 | | WHEREAS, Albert Horton Foote, Jr., was born in Wharton on |
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10 | 10 | | March 14, 1916, to Albert Horton Foote and the former Hallie Brooks; |
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11 | 11 | | at the age of 16, Mr. Foote moved to Dallas to study acting; he later |
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12 | 12 | | studied for two years at the Pasadena Playhouse in California, then |
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13 | 13 | | moved to New York, where he joined the American Actors Company; and |
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14 | 14 | | WHEREAS, After Mr. Foote performed an improvisation based on |
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15 | 15 | | his boyhood, someone suggested that he write about life in the small |
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16 | 16 | | town where he grew up; that evening, Mr. Foote began a one-act play, |
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17 | 17 | | Wharton Dance, about the Friday night dances of his youth; a few |
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18 | 18 | | years later, his first full-length play, Texas Town, was performed |
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19 | 19 | | in New York to good reviews; for the rest of his life, Mr. Foote |
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20 | 20 | | continued to write plays set in the fictional Texas town of |
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21 | 21 | | Harrison, based on Wharton; and |
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22 | 22 | | WHEREAS, To support himself at the beginning of his career, |
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23 | 23 | | Mr. Foote worked as a night elevator operator and a clerk in a |
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24 | 24 | | bookstore, where he met his future wife, Lillian Vallish; they were |
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25 | 25 | | married in 1945 and remained together until her death in 1992; as a |
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26 | 26 | | young couple, they moved to Washington, D.C., where he helped run |
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27 | 27 | | the King-Smith School of the Creative Arts and was the first to open |
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28 | 28 | | the school's theater to all races; and |
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29 | 29 | | WHEREAS, Returning to New York in 1950, Mr. Foote continued |
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30 | 30 | | to write plays while making his living writing for television; his |
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31 | 31 | | play The Trip to Bountiful was first produced for television, then |
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32 | 32 | | played on Broadway, and was later made into a film; his television |
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33 | 33 | | work included adaptations of stories by William Faulkner; and |
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34 | 34 | | WHEREAS, Mr. Foote began writing for the movies in the 1950s, |
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35 | 35 | | and he won his first Academy Award for the screenplay he adapted |
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36 | 36 | | from the novel To Kill a Mockingbird in 1962; he won his second |
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37 | 37 | | Academy Award for his script for the 1983 film Tender Mercies, which |
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38 | 38 | | he wrote for his friend, actor Robert Duvall; and |
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39 | 39 | | WHEREAS, Returning to stage writing in the late 1960s, Mr. |
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40 | 40 | | Foote began The Orphans' Home, a nine-play cycle based on his |
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41 | 41 | | family's history and spanning the first quarter of the 20th |
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42 | 42 | | century; with his wife as producer, two of the plays from the cycle, |
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43 | 43 | | 1918 and On Valentine's Day, were made into films that were shot in |
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44 | 44 | | Waxahachie and starred Mr. Foote's daughter, Hallie; and |
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45 | 45 | | WHEREAS, Mr. Foote created critically acclaimed work until |
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46 | 46 | | the end of his life; in 1994 and 1995, the Signature Theater in New |
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47 | 47 | | York devoted an entire season to his plays, and one of them, The |
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48 | 48 | | Young Man from Atlanta, won the Pulitzer Prize in 1995; his 2002 |
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49 | 49 | | play, The Carpetbagger's Children, played to sold-out audiences, |
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50 | 50 | | and his recently rewritten play, Dividing the Estate, won glowing |
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51 | 51 | | reviews in the fall of 2008; and |
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52 | 52 | | WHEREAS, Along with his Academy Awards and Pulitzer Prize, |
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53 | 53 | | Mr. Foote received the National Medal of Arts from President Bill |
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54 | 54 | | Clinton; his contributions to Texas letters and film were |
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55 | 55 | | recognized with the Bookend Award from the Texas Book Festival, a |
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56 | 56 | | Texas Medal of Arts, and induction into the Texas Film Hall of Fame; |
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57 | 57 | | and |
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58 | 58 | | WHEREAS, A courtly and good-humored man, Horton Foote wrote |
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59 | 59 | | with great tenderness and insight about the struggles and small |
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60 | 60 | | triumphs of ordinary Texans, but so evocatively that audiences |
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61 | 61 | | around the world saw their own dreams and disappointments reflected |
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62 | 62 | | on the stage or the screen; the young man who departed Wharton in |
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63 | 63 | | 1932 spent the rest of his life celebrating the resilience and |
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64 | 64 | | dignity he learned there, and wherever his success may have taken |
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65 | 65 | | him, in his heart and in his work, he never left Texas; now, |
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66 | 66 | | therefore, be it |
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67 | 67 | | RESOLVED, That the House of Representatives of the 81st Texas |
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68 | 68 | | Legislature hereby pay tribute to the life of Horton Foote and |
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69 | 69 | | extend sincere condolences to the members of his family: to his |
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70 | 70 | | children, Hallie, Daisy, Horton, and Walter Foote; to his two |
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71 | 71 | | grandchildren; and to his other relatives and friends; and, be it |
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72 | 72 | | further |
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73 | 73 | | RESOLVED, That an official copy of this resolution be |
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74 | 74 | | prepared for his family and that when the Texas House of |
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75 | 75 | | Representatives adjourns this day, it do so in memory of Horton |
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76 | 76 | | Foote. |
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77 | 77 | | Zerwas |
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78 | 78 | | ______________________________ |
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79 | 79 | | Speaker of the House |
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80 | 80 | | I certify that H.R. No. 966 was unanimously adopted by a |
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81 | 81 | | rising vote of the House on April 27, 2009. |
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82 | 82 | | ______________________________ |
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83 | 83 | | Chief Clerk of the House |
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