29 | | - | |
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30 | | - | as a member with specific experience in arts or humanities organizational administration or |
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31 | | - | governance of the Commission on the Arts and Humanities, established by section 4 of the |
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32 | | - | Commission on the Arts and Humanities Act, effective October 21, 1975 (D.C. Law 1-22; D.C. |
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33 | | - | Official Code § 39-203), for a term ending June 30, 2025. |
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34 | | - | |
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35 | | - | Sec. 3. The Council shall transmit a copy of this resolution, upon its adoption, to the |
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36 | | - | nominee and Office of the Mayor. |
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37 | | - | |
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38 | | - | Sec. 4. This resolution shall take effect immediately. |
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| 29 | + | c jdy, |
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| 30 | + | 1owser A PROPOSED RESOLUTION |
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| 31 | + | IN THE COUNCIL OF THE DISTRICT OF COLUMBIA |
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| 32 | + | Sec. 2. The Council of the District of Columbia confirms the reappointment of: |
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| 33 | + | as a member with experience in arts and humanities organizational administration or governance |
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| 34 | + | of the Commission on the Arts and Humanities, established by section 4 of the Commission on29 |
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| 35 | + | the Arts and Humanities Act, effective October 21, 1975 (D.C. Law 1-22; D.C. Official Code30 |
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| 36 | + | § 39-203), replacing Maria Hall Rooney, for a term ending June 30, 2025.31 |
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| 37 | + | Sec. 3. The Council of the District of Columbia shall transmit a copy of this resolution,32 |
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| 38 | + | upon its adoption, to the nominee and to the Office of the Mayor.33 |
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| 39 | + | Sec. 4. This resolution shall take effect immediately.34 |
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| 40 | + | To confirm the appointment of Ms. Julianne Brienza to the Commission on the Arts and |
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| 41 | + | Humanities. |
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| 42 | + | Chairman Phil Mendelson |
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| 43 | + | at the request of the Mayor |
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| 72 | + | Ms. Julianne Brienza |
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| 73 | + | 4th Street, SW |
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| 74 | + | Washington, DC 20024 |
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| 75 | + | (Ward 6) |
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| 76 | + | RESOLVED, BY THE COUNCIL OF THE DISTRICT OF COLUMBIA, That this |
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| 77 | + | resolution may be cited as the “Commission on the Arts and Humanities Julianne Brienza |
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| 78 | + | Confirmation Resolution of 2023”. JULIANNE |
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| 79 | + | BRIENZA |
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| 80 | + | PROFESSIONAL SUMMARY |
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| 81 | + | CONTACT |
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| 82 | + | SELECTED ACHIEVEMENTS |
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| 83 | + | NOTABLE AWARDS |
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| 84 | + | EDUCATION |
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| 85 | + | Innovative Leadership in Theatre |
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| 86 | + | Washington Post, Helen Hayes |
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| 87 | + | Award, 2013 |
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| 88 | + | Visionary Leadership Award |
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| 89 | + | 31 st Annual Mayors Arts Awards, |
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| 90 | + | Honorable Mayor Bowser, 2015 |
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| 91 | + | Distinguished Alumni Award, College |
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| 92 | + | of Business, Performing Arts and |
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| 93 | + | Leadership, Viterbo University 2020 |
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| 94 | + | Non-Profit CEO of the Year |
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| 95 | + | Washington Business Journal, 2015 |
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| 96 | + | Arden Professional Apprenticeship |
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| 97 | + | Philadelphia, PA |
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| 98 | + | Areas of Focus: |
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| 99 | + | General Management, Fundraising, |
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| 100 | + | Marketing, Stage-management |
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| 101 | + | and Production |
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| 102 | + | Viterbo University |
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| 103 | + | La Crosse, Wl |
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| 104 | + | Bachelor of Fine Arts - Theatre |
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| 105 | + | Magna cum Laude |
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| 106 | + | Minors: Philosophy and Visual Arts |
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| 107 | + | Sister Marie Leon Lacroix |
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| 108 | + | Service Award |
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| 109 | + | Created Philadelphia’s year-long arts-in-residency program at Greenfield |
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| 110 | + | Elementary School run by Mum Puppettheatre. Established program |
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| 111 | + | curriculum, budget, cash flow statements, and payroll. Drafted grants and |
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| 112 | + | program schedule.This arts-in-residency program runing for twenty years. |
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| 113 | + | A disciplined organizational leader with distinctive experience develop |
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| 114 | + | ing opportunities for artists, creatives and communities that are both |
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| 115 | + | significant and sustainable. |
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| 116 | + | Founded Capital Fringe, a DC-based non-profit in 2005 with a mission |
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| 117 | + | rooted in the freedom of expression and earning opportunities for artists |
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| 118 | + | and creatives. Driving vision, community presence and the growth of |
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| 119 | + | the organization’s financial footprint from $300,000 up to $1.7 million |
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| 120 | + | through increased fundraising, earned revenue opportunities and the |
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| 121 | + | establishment of year-round sustainable artist-driven programs. |
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| 122 | + | Created the Mead Theatre Lab Program, a performing arts program |
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| 123 | + | offering intensive production and development assistance for performing |
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| 124 | + | and visual artists, writers, directors, producers, and independent theatre |
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| 125 | + | companies. Selected artists were recommended by a community-led |
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| 126 | + | volunteer advisory panel of prominent DC-area arts professionals who |
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| 127 | + | also provided mentoring and professional development throughout the |
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| 128 | + | program term.The Mead Theatre Lab ran for thirteen years until the sale |
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| 129 | + | of Flashpoint property in 2016. SKILLS |
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| 130 | + | • Producing |
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| 131 | + | • Program Development/Management |
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| 132 | + | • Community Building/Development |
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| 133 | + | •Volunteer Management |
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| 134 | + | • Negotiation |
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| 135 | + | • Public Relations |
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| 136 | + | • Public Speaking |
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| 137 | + | • Financial Scenario Planning |
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| 138 | + | • Change Management |
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| 139 | + | • Strategic, Pragmatic Thinking |
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| 140 | + | • Fundraising |
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| 141 | + | • Marketing Print & Digital |
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| 142 | + | • Graphic Design Print & Digital |
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| 143 | + | REFERENCES |
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| 144 | + | Available upon Request. |
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| 145 | + | FOUNDING DIRECTOR |
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| 146 | + | Capital Fringe / Washington, DC / 2005 - Present |
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| 147 | + | • Community outreach, curation, and producing a multi-day festival fea |
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| 148 | + | turing over 250 local, national and international artists in 10+ venues. |
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| 149 | + | • Lead and collaborate with a multidisciplinary team of employees, |
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| 150 | + | contractors, volunteers, and consultants of up to 70-100 annually.. |
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| 151 | + | • Leverage mission by forming key partnerships around specific proj |
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| 152 | + | ects including Arena Stage, Clark Construction, Douglas Develop |
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| 153 | + | ment, Kennedy Center for the Performing Arts, Phillips Collection, |
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| 154 | + | Sasha Bruce Youthworks, among others. |
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| 155 | + | • Create, execute and manage yearly workplans for Programing, Fun |
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| 156 | + | drasing, Marketing and Press and Operations. |
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| 157 | + | • Draft and manage annual operating (up to $1.7 million) and capital |
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| 158 | + | budgets (up to $5 million). |
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| 159 | + | • Two three-year Strategic Plans executed through benchmark tracking |
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| 160 | + | with Board of Directors. |
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| 161 | + | • Serve as the chief liaison of the Board of Directors and committees, |
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| 162 | + | including Executive, Finance, and Governance. |
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| 163 | + | OPERATIONS MANAGER |
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| 164 | + | CulturalDC / Washington, DC / 2003- 2005 |
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| 165 | + | • Worked as part of the leadership team to launch and lead the Flash |
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| 166 | + | point Arts Incubator Project. |
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| 167 | + | • Created an incubator curriculum and organized community art lead |
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| 168 | + | ers to lead sessions and serve as mentors. |
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| 169 | + | • Financial management and grant reporting. |
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| 170 | + | • Created and executed Facilities Plan: dance studio, 60 seat-theatre, art |
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| 171 | + | gallery and resident and staff offices. |
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| 172 | + | • Created and executed venue rental contracts and policies. |
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| 173 | + | ARTIST RESIDENCY DIRECTOR |
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| 174 | + | Mum Puppettheatre / Philadelphia, PA / 2002 - 2003 |
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| 175 | + | • Created program curriculum, recruited and trained teaching artists. |
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| 176 | + | • Financial management, budgeting, cash flow, and payroll. |
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| 177 | + | • Grant writing and fundraising. |
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| 178 | + | • Lead community meetings from PTA to teachers. |
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| 179 | + | MANAGING DIRECTOR |
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| 180 | + | 1812 Productions / Philadelphia, PA / 2001 - 2002 |
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| 181 | + | • Stabilized the actor-led company during a series of internal and exter |
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| 182 | + | nal changes by driving earned and contributed revenue while keeping |
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| 183 | + | the staff and artists focused on the mission. |
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| 184 | + | • Created chart of accounts, established accounting practices and de |
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| 185 | + | veloped departmental budgeting of over $800,000. |
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| 186 | + | • Created and implemented a diversified media plan for each produc |
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| 187 | + | tion to more effectively target key audience demographics. |
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| 188 | + | • Increased subscriptions by 14% in the 01/02 season. |
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| 189 | + | • Led process with the Co-Artistic Directors to hire my replacement. Julianne Brienza |
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| 190 | + | A Ward 6 resident, Ms, Brienza received a Bachelor of Fine Arts - Theatre from Viterbo |
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| 191 | + | University. |
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| 192 | + | Executive Office of the Mayor - Office of Talent and Appointments |
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| 193 | + | John A. Wilson Building | 1350 Pennsylvania Avenue, Suite 600 | Washington, DC 20004 |
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| 194 | + | In 2005, she founded Capital Fringe, a DC-based |
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| 195 | + | non-profit with a mission rooted in the freedom |
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| 196 | + | of expression and earning opportunities for |
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| 197 | + | artists and creatives. Since then, she's served as |
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| 198 | + | driving force for the vision, community presence, |
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| 199 | + | and the growth of the organization's financial |
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| 200 | + | footprint from $300,000 up to $1.7 million, and |
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| 201 | + | increased opportunities and the establishment of |
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| 202 | + | key partnerships and artist-driven programs. |
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| 203 | + | ★ ★ ★ |
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| 204 | + | WE ARE |
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| 205 | + | WASHINGTON |
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| 206 | + | Prior to her role at Capital Fringe, Ms. Brienza created the Mead Theatre Lab Program, a |
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| 207 | + | performing arts program offering intensive production and development assistance for |
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| 208 | + | performing and visual artists, writers, directors, producers, and independent theatre |
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| 209 | + | companies. There, she helped select artists and companies were selected by a community- |
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| 210 | + | led volunteer advisory panel of prominent DC-area arts professionals who also provided |
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| 211 | + | mentoring and professional development throughout the program term. Ms. Brienza has |
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| 212 | + | received numerous awards, including the Distinguished Alumni Award, College of Business, |
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| 213 | + | Performing Arts and Leadership, Viterbo University in 2020, the non-profit CEO of the Year |
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| 214 | + | from the Washington Business Journal in 2015 and the Visionary Leadership Award at 31st |
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| 215 | + | Annual Mayors Arts Awards in 2015. |
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| 216 | + | Julianne Brienza is a disciplined organizational |
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| 217 | + | leader with distinctive experience developing |
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| 218 | + | opportunities for artists, creatives, and |
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| 219 | + | communities that are both significant and |
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| 220 | + | sustainable. Office of the General Counsel to the Mayor |
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| 221 | + | A- |
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| 222 | + | Elizabeth A. (Betsy) Cavendish |
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| 223 | + | To: |
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| 224 | + | From: |
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| 225 | + | Date: |
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| 226 | + | Subject: |
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| 227 | + | GOVERNMENT OF THE DISTRICT OF COLUMBIA |
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| 228 | + | Executive Office of Mayor Muriel Bowser |
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| 229 | + | ★ ★ ★ |
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| 230 | + | WE ARE |
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| 231 | + | WASHINGTON |
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| 232 | + | Tommy Wells, Steve Walker |
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| 233 | + | Betsy Cavendish |
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| 234 | + | March 6, 2023 |
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| 235 | + | Legal sufficiency review of Resolutions nominating Julianne Brienza and Chase |
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| 236 | + | Maggiano as members of the Commission on the Arts and Humanities_________ |
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| 237 | + | This is to Certify that this office has reviewed the above-referenced resolutions and |
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| 238 | + | found them to be legally unobjectionable. If you have any questions in this regard, please do not |
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| 239 | + | hesitate to call Vanessa Careiro, Deputy General Counsel, Executive Office of the Mayor, at |
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| 240 | + | 202-724-1303, or me at 202-724-7681. |
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| 241 | + | The John A. Wilson Building • 1350 Pennsylvania Avenue, NW Suite 300 • Washington, D.C. 20004 • Office (202) 724-7681 |
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